The Futures Archive S2E6: The Bug Zapper
Note: This episode addresses matters notably delicate in mild of this week’s school capturing in Texas. While Design Observer has by no means shied away from troublesome conversations, the editors acknowledge that this content material could also be tough for some listeners. Content Warning: Violence, killing, and dying are mentioned in this episode. It could be laborious to find someone who needs to share area with a mosquito killer. Hence, the creation of the bug zapper for patio outdoor bug zapper. But as designers, how will we address what lives and what doesn’t? On this episode of The Futures Archive Lee Moreau and Sloan Leo go deep on how human-centered design doesn’t all the time mirror humanity. With further insights from David MacNeal, Juliano Morimoto, Spee Kosloff, Paula Antonelli, and Lindsay Garcia. There is a need for humans to exert their authority, however there can also be a need for us to exert our love. The thing that I hope we hold house for is: That is all observe as a result of it’s not going to be resolved, and it shouldn’t be.
That would create some type of stagnancy. Life is definitely about holding area for dynamism, modifications and cycles. Lee Moreau is President of Other Tomorrows, a design and innovation consultancy based in Boston, and a Professor of Practice in Design at Northeastern University. Sloan Leo (they/he) is a Community Design theorist, educator, and practitioner. They are the founding father of FLOX Studio, a neighborhood design and strategy studio. David MacNeal is a author and the creator of Bugged: The Insects Who Rule the World and the People Obsessed with Them. Dr. Juliano Morimoto is an entomologist and lecturer on the University of Aberdeen in Scotland. Spee Kosloff is an associate professor of psychology at California State University in Fresno and co-writer of "Killing Begets Killing: Evidence From a bug zapper for camping-Killing Paradigm That Initial Killing Fuels Subsequent Killing". Paola Antonelli is an writer, architect, and the Senior Curator in the Department of Architecture and Design at the Museum of Modern Art, in addition to MoMA’s founding director of Research and Development.
Lindsay Garcia is an artist, scholar, and an assistant dean at Brown University. Kathleen Fu created the illustrations for every episode. An enormous due to this season’s sponsor, Automattic. Hi, everybody, this is Lee. Every week is somewhat different on this present. And this week, while we’re still talking about design, we’re going to be talking about some pretty severe points. And so I would like to ensure that everybody who’s listening is conscious of that's in an excellent place when they’re listening. And i encourage you to examine our show notes prior to listening to the episode so that you understand the context of what we’re speaking about and prepare ourselves a bit. Beyond that, I welcome you to the dialog and that i hope you find this dialog as highly effective as it was for us. And i thanks for listening. Welcome to The Futures Archive, a show about human centered design where this season, we’ll take an object, look for the human at the center and keep asking questions.
… and I am Sloan Leo. On each episode we’re going to start out with an object with energy. Today the object is the cordless bug zapper rechargeable bug zapper. We’ll look at the history of that object from our perspective, bug zapper for patio as designers who’ve achieved work in human centered design. Not just the way it seems to be and feels and sounds and smells, but in addition the relationship between that object and the people it was designed for… … and with other humans too. The Futures Archive is dropped at you by the design workforce at Automattic. Later on, we’ll hear from Vanessa Riley Thurman, a member of Automattic’s Designer Experience Team. Sloan Leo, it’s wonderful to see you once more. Thanks for joining us. Lee, it is a thrill to be here. So I’m wondering-for this explicit episode, I’m wondering if you possibly can inform me a little bit bit about your historical past as a baby with bugs and insects. Where you this kind of like, like kid that like cherished the creepy crawly stuff?