The Futures Archive S2E6: The Bug Zapper

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Note: This episode addresses matters notably sensitive in mild of this week’s college taking pictures in Texas. While Design Observer has never shied away from troublesome conversations, the editors acknowledge that this content may be troublesome for some listeners. Content Warning: Violence, killing, and dying are discussed in this episode. It could be onerous to search out somebody who wants to share house with a mosquito. Hence, Zap Zone the creation of the bug zapper. But as designers, how can we address what lives and what doesn’t? On this episode of The Futures Archive Lee Moreau and Sloan Leo go deep on how human-centered design doesn’t always mirror humanity. With extra insights from David MacNeal, Juliano Morimoto, Spee Kosloff, Paula Antonelli, and Lindsay Garcia. There may be a necessity for people to exert their authority, however there is also a need for us to exert our love. The factor that I hope we hold house for is: That is all follow as a result of it’s not going to be resolved, and it shouldn’t be.



That may create some sort of stagnancy. Life is definitely about holding space for dynamism, modifications and cycles. Lee Moreau is President of Other Tomorrows, Zap Zone a design and innovation consultancy based mostly in Boston, and a Professor of Practice in Design at Northeastern University. Sloan Leo (they/he) is a Community Design theorist, educator, and practitioner. They are the founding father of FLOX Studio, a community design and strategy studio. David MacNeal is a author and the writer of Bugged: The Insects Who Rule the World and the People Obsessed with Them. Dr. Juliano Morimoto is an entomologist and lecturer at the University of Aberdeen in Scotland. Spee Kosloff is an affiliate professor Zap Zone Defender of psychology at California State University in Fresno and co-author of "Killing Begets Killing: Evidence From a Bug-Killing Paradigm That Initial Killing Fuels Subsequent Killing". Paola Antonelli is an writer, architect, and chemical-free bug control the Senior Curator within the Department of Architecture and Design at the Museum of Modern Art, in addition to MoMA’s founding director of Research and Development.



Lindsay Garcia is an artist, scholar, and an assistant dean at Brown University. Kathleen Fu created the illustrations for each episode. A giant thanks to this season’s sponsor, Automattic. Hi, Zap Zone everybody, this is Lee. Every week is somewhat completely different on this show. And this week, whereas we’re nonetheless speaking about design, we’re going to be speaking about some pretty severe points. And so I would like to ensure that everyone who’s listening is aware of that is in a great place when they’re listening. And Zap Zone that i encourage you to test our show notes prior to listening to the episode so that you understand the context of what we’re talking about and prepare ourselves a bit. Beyond that, I welcome you to the dialog and i hope you discover this conversation as powerful because it was for us. And i thanks for listening. Welcome to The Futures Archive, a present about human centered design the place this season, we’ll take an object, look for the human at the middle and keep asking questions.



… and I'm Sloan Leo. On every episode we’re going to begin with an object with power. Today the article is the bug zapper. We’ll look on the historical past of that object from our perspective, as designers who’ve done work in human centered design. Not simply how it seems and feels and sounds and smells, but additionally the relationship between that object and Zap Zone the individuals it was designed for… … and with different humans too. The Futures Archive is dropped at you by the design workforce at Automattic. Later on, we’ll hear from Vanessa Riley Thurman, a member of Automattic’s Designer Experience Team. Sloan Leo, it’s great to see you once more. Thanks for becoming a member of us. Lee, it's a thrill to be here. So I’m wondering-for Zap Zone this specific episode, I’m questioning if you possibly can tell me a bit bit about your history as a baby with bugs and insects. Where you this kind of like, like child that like loved the creepy crawly stuff?

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